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Adobe After Effects CC - 2015 Manual

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Rendering and Exporting
Last updated 11/30/2015
Include Project Link Specifies whether to include information in the output file that links to the source After Effects
project. When you open the output file in another application, such as Adobe Premiere Pro, you can use the Edit
Original command to edit the source project in After Effects.
Include Source XMP Metadata Specifies whether to include XMP metadata in the output file from the files used as
sources for the rendered composition. XMP metadata can travel all the way through After Effects from source files, to
footage items, to compositions, to rendered and exported files. For all default output module templates, Include Source
XMP Metadata is deselected by default. (See
Exporting XMP metadata from After Effects.)
Post-Render Action Specifies an action for After Effects to perform after the composition is rendered. (See Post-render
actions.)
Format Options Opens a dialog box in which you specify format-specific options.
Channels The output channels contained in the output movie. After Effects creates a movie with an alpha channel if
you choose RGB+Alpha, implying a depth of Millions of Colors+. Not all codecs support alpha channels.
Note: All files created with a color depth of Millions of Colors+, Trillions of Colors+, or Floating Point + have labeled alpha
channels; information describing the alpha channel is stored in the file. Therefore, you do not have to specify an alpha
interpretation each time you import an item created in After Effects.
Depth Specifies the color depth of the output movie. Certain formats may limit depth and color settings.
Color Specifies how colors are created with the alpha channel. Choose from either Premultiplied (Matted) or Straight
(Unmatted). (See
Alpha channel interpretation: premultiplied or straight.)
Starting # Specifies the number for the starting frame of a sequence. For example, if this option is set to 38, After Effects
names the first frame [file_name]_00038. The Use Comp Frame Number option adds the starting frame number in the
work area to the starting frame of the sequence.
Resize Specifies the size of your output movie. Select Lock Aspect Ratio To if you want to retain the existing frame
aspect ratio when resizing the frame. Select Low Resize Quality when rendering tests, and select High Resize Quality
when creating a final movie. (See
Scaling a movie downand Scaling a movie up.)
Crop Used to subtract or add rows or columns of pixels to the edges of the output movie. You can specify the number
of rows or columns of pixels to be added or subtracted from the top, left, bottom, and right sides of the movie. Use
positive values to crop, and use negative values to add rows or columns of pixels. Select Region Of Interest to export
only the region of interest selected in the Composition or Layer panel. (See
Region of interest (ROI).)
By adding one row of pixels to the top and subtracting one row from the bottom of a movie, you can change the field
order.
Audio Output Specifies the sample rate, sample depth (8 Bits or 16 Bits), and playback format (Mono or Stereo).
Choose a sample rate that corresponds to the capability of the output format. Choose an 8-bit sample depth for playback
on the computer, and a 16-bit sample depth for CD and digital audio playback or for hardware that supports 16-bit
playback.
Note: The specifications for some formats impose limits on audio parameters. In such cases, audio options may be
unavailable for modification in the Output Module Settings dialog box. Also, audio options for some formats are set in the
export settings dialog box for that format. For example, to set audio output options for Windows Media, click Format
Options in the Output Module Settings dialog box.
Warning for mismatch in frame rate or dimensions
Some formats (for example, the Blu-ray formats) enforce constraints on frame dimensions and frame rate.
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