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Ableton Live 8.0 Manual

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INDEX 554
Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . 333
Reverse button . . . . . . . . . . . . . . . . . . . . . . . . 114
ReWire . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .504
Live as master . . . . . . . . . . . . . . . . . . . . . 170
Live as slave . . . . . . . . . . . . . . . . . . . . . . . 505
recording . . . . . . . . . . . . . . . .see recording
tutorials . . . . . . . . . . . . . . . . . . . see Ableton
REX Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133
ring modulation . . . . . . . . . . . . . . . . . . . . . . . . 307
routing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23, 164
and computer keys . . . . . . . . . . . . . . . . 168
and external audio in/out . . . . . . . . . . 166
and external MIDI in/out . . . . . . . . . . 167
and instruments . . . . . . . . . . . . . . . . . . . 179
and layering . . . . . . . . . . . . . . . . . . . . . . . 184
and post-effects recording . . . . . . . . .176
and recording MIDI as audio . . . . . . 177
and ReWire . . . . . . . . . . . . . . . . . . . . . . . .170
and sidechain inputs . . . . . . . . . . . . . . .183
between tracks . . . . . . . . . . . . . . . . . . . . 172
for creating submixes . . . . . . . . . . . . . .178
with external synthesizers . . . . . . . . . .169
S
sales . . . . . . . . . . . . . . . . . . . . . . . . . . see Ableton
Sample box . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100
sample collections .see Essential Instrument
Collection
Sample Display . . . . . . . . . . . . . . . . . . . 100, 106
Sample Editor preference . . . . . . . . . . . . . . . 55
Sampler instrument . . . . . . . . . . . . . . . . . . . . 415
Filter/Global tab . . . . . . . . . . . . . . . . . . .425
importing samples . . . . . . . . . . . . . . . . .416
Key Zones . . . . . . . . . . . . . . . . . . . . . . . . . 419
MIDI tab . . . . . . . . . . . . . . . . . . . . . . . . . . 427
Modulation tab . . . . . . . . . . . . . . . . . . . . 426
Pitch/Osc Tab . . . . . . . . . . . . . . . . . . . . . 424
Sample Select Zones . . . . . . . . . . . . . . 420
Sample tab . . . . . . . . . . . . . . . . . . . . . . . . 421
Velocity Zones . . . . . . . . . . . . . . . . . . . . .420
Zone tab . . . . . . . . . . . . . . . . . . . . . . . . . . 418
samples . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
collecting . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
destructive editing . . . . . . . . . . . . .55, 111
nding unused . . . . . . . . . . . . . . . . . . . . . 69
high-quality interpolation . . . . . . . . . . 112
ofine/missing . . . . . . . . . . . . . . . . . . . . . . 64
played from RAM Mode . . . . . . . . . . . 114
replacing . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
reversing . . . . . . . . . . . . . . . . . . . . . . . . . . 114
saving with clip settings . . . . . . . . . . . 112
time-warping . . . . . . . . . . . . . . . . . . . . . . 120
working with . . . . . . . . . . . . . . . . . . . . . . . .42
Saturator effect . . . . . . . . . . . . . . . . . . . . . . . . 334
Save a Copy command . . . . . . . . . . . . . . . . . . 52
Save As command . . . . . . . . . . . . . . . . . . . . . . 52
Save command . . . . . . . . . . . . . . . . . . . . . . . . . .52
Save Current Set as Default button . . . . . . 54
Save Default Clip button . . . . . . . . . . . 43, 112
Scale effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . 354
Scene Launch button . . . . . . . . . . . . . . . . . . . . 91
Scene Select eld . . . . . . . . . . . . . . . . . . . . . . 468
Scene Up/Down buttons . . . . . . . . . . 207, 468
scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15, 91
and MIDI/key mapping . . . . . . . . . . . . 468
editing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
recording . . . . . . . . . . . . . . . . . . . . . . . . . .202
scrubbing playback
in the Arrangement View . . . . . . . . . . . 75
in the Clip View . . . . . . . . . . . . . . . . . . . 108
Search button . . . . . . . . . . . . . . . . . . . . . . . . . . . 34
… 556 …


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