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6 Welcome to Live
1.2.9 Default Presets for MIDI and Audio Tracks
Newly-created MIDI and Audio tracks can now come with devices already loaded (page
224).
1.2.10 Device Improvements
The Glue Compressor (page 325) is a new analog-modeled compressor based on the
classic bus compressor from a famous ‘80s mixing console.
•EQ Eight (page 310) now has improved filters, a detachable display that shows the
frequency spectrum of the output signal and allows multiple filter dots to be adjusted simul-
taneously, optional “Adaptive Q” and Audition modes, and a number of other improve-
ments.
Compressor (page 299) now has an Auto Release mode, which automatically adjusts
the release time based on the incoming audio. A Dry/Wet control allows for easy paral-
lel compression. The Ratio can be set below 1:1, for upward expansion. The shape of the
envelope follower can be switched between linear and logarithmic. Finally, a new display
shows input and output levels, making it easier to adjust parameters.
•Live’s Gate effect (page 323) now responds more accurately. There is also a new Re-
turn control (also known as “hysteresis”) to help reduce “chatter” when the level changes
quickly near the threshold, as well as a sidechain EQ. Finally, a new display shows input
and output levels, making it easier to adjust parameters.
•The Multiband Dynamics device (page 336) now has a sidechain circuit, allowing it to
be triggered based on the level of another signal.
1.2.11 Ableton Push
•Support for Ableton Push (page 489), an instrument for song creation that provides
hands-on control of melody and harmony, beats, sounds, and song structure.
6


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