Manual AAS Tassman 4 (page 104 of 177) (English)

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6.42 Master Sync Input 104

adjust its clock source switch to ext. Finally use the pat mode of the Sequencer and press on the

once button in order to make the Sequencer stop at the end of the sequence. Note that the pitch

output from the Sequencer, connected in this example to a VCO module, could be used to control

any other modules you would like to record.

Figure 56: A Master Recorder Trig is used with a Master Sync Input and a Sequencer to cut a

perfect loop.

Note: See the documentation of the Recorder of the output effect stage in Section 4.8.

6.42 Master Sync Input

The Master Sync Input module is used to route the synchronization signals generated by the Sync

module of the output stage to other modules such as a Sequencer. The ﬁrst output of the module

is the sync signal itself. When the source switch of the Sync module of the output stages is set to

ext, the clock signal will be that from a host sequencer when the Tassman is used as a plug-in or,

in standalone mode, the clock signal received on the MIDI channel selected in the Player toolbar.

When the int source is chosen, the clock is adjusted, in beats per minute, in the green tempo display

of the Sync module. The second output is a gate signal equal to 1 volt when the play button of the

Sync module is pressed and 0 volt when it is inactive. This signal can be used by any module that

needs to be triggered such as a Sequencer, a Player or a Master Recorder Trig module. The

third output of the module is a reset signal generated when the reset button of the Sync module is

pressed and that can be used to re-sync modules that have a reset input.

Typical Use

In Figure 57, a Master Sync Input module is used to control a Sequencer. This module can also

be used to cut perfect loops when used in conjunction with a Master Recorder Trig as shown in

Figure 56.

Note: See the documentation of the Sync module of the output effect stage in Section 4.8.

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AAS Tassman 4 Manual

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